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Vincenzo Cabianca (June 21, 1827 – March 21, 1902)〔 was an Italian painter of the Macchiaioli group. ==Biography== He was born in Verona. He began his artistic training at the Verona Academy, and then studied at the Venice Academy from 1845–47.〔Steingräber, E., & Matteucci, G. 1984, p. 107.〕 During the 1850s Cabianca became acquainted with the artists, including Adriano Cecioni, Cristiano Banti, and Telemaco Signorini, who frequented the Caffè Michelangiolo in Florence, who would be known as the Macchiaioli. He became a friend of Telemaco Signorini, and travelled with Signorini and Banti to Paris, his friend's influence led Cabianca to turn away from genre paintings towards a bolder realism, beginning in 1858. De Gubernatis terms the Macchiaioli ''enemies of all conventionalism and accurate researchers of effects'',〔''nemico di ogni convenzionalismo e accurato ricercatore degli effetti, cura molto le tonalità della luce e la verità del soggetto.'', De Gubernatis, page 81〕 and describes Cabianca as principally interested in the effects of sunlight. Garollo in his ''Dizionario Biografico'' describes Cabianca as a painter of the "effects of the Sun".〔Dizionario biografico universale, By Gottardo Garollo, 1907, page 402.〕 Like the other Macchiaioli, he painted landscapes ''en plein air'', but he was more reluctant than his friends were to abandon historical and literary subjects.〔Broude 1987, p. 107.〕 Among his works are ''La Mandriana'' and ''il Porcile al sole'' (1860). Returning from travels to Tuscany and Paris in 1864, he domiciled in Parma from 1864-1868, then moved to Rome. He also painted in watercolors, including ''La neve a Venice'', ''Il fait sa cour'', and ''Sulla marina di Viareggio''. Among his other works are ''Il bagno fra gli scogli''; ''Sant'Angelo all' Isola di Giudecca''; ''Reminiscenze del mare''; ''Gondola bruna''; ''La neve in Ciociaria''; ''Le mura del convento''; and ''Sotto il portico dei barattieri a Venice''. At Naples in 1877, he exhibited ''Piccola via presso Perugia''; ''La neve''; ''Una casa ad Anacapri''; and ''Reminiscenze d'Amalfi''. At Rome in 1883 he displayed ''Rocca di Papa''; ''Il caligo a Venice''; ''Sul far del giorno''; ''La pace del Chiostro''; and ''Una sera sulla laguna''.〔(''Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.'' ), by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 81-82.〕 Many of his paintings depict nuns; a well-known example is ''Le monachine'' (The nuns; 1861–62, Turin exhibition).〔Steingräber, E., & Matteucci, G. 1984, pp. 33–34.〕 The works of Cabianca's later years show the influence of the Symbolists and the Pre-Raphaelites.〔Broude 1987, p. 111.〕 He died in Rome on March 21, 1902. Collections holding works by Vincenzo Cabianca include the Galleria Nazionale d'Arte Moderna, Rome, and the Brooklyn Museum. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Vincenzo Cabianca」の詳細全文を読む スポンサード リンク
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